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Beside Union Station, the 18th Street Garage and a few wholesale buildings, most of the buildings in this image are two to three stories and more typical of St. Louis' neighborhood vernacular forms than our modern downtown architecture. This area was an eastern extension of Mill Creek Valley, with a largely African-American and exclusively poor and working-class population. City leaders took aim at this "slum" as early as the 1890s. Starting in 1928, using money from the $87 million raised in a 1923 multi-part bond issue, the city would clear the block across the street from Union Station for a large plaza (now Aloe Plaza). The new post office and Municipal (later Kiel) Auditorium east of Union Station would claim more of the western downtown area's small buildings. By 1961, the city would have obliterated over 75% of the building stock seen in this view.
6 comments:
Wow, looks like a real city.
Most photos from that era really show the effects of coal smoke soot. The city is so dark from soot that it looks like bad photography. Very sinister looking. Wonder what the city would have looked like back then if everything wasn't encrusted with ugly black coal soot?
better than it looks with gaping holes, wastelands, and nothingness where there once was operating civilization.
If you hung out with Theodore Link, and he was like, come over to my place on Cabanee Place and watch MNF.
And you are like dude, MNF does not exist.
Then Link concedes and says, “Well, at least we can drink these warm beers.”
Then it is ok, we can drink beers Ted, but the staches is killing me.
Makes me sick! Had the city preserved that level of human-scale urbanity, St. Louis would undoubtedly be a destination city a la Boston or New Orleans. How sad that seemingly forward-thinking renewal schemes of the '50s and '60s have irreversibly damaged so much of our urban fabric.
Wow, stunning photograph. That which Harland Bartholomew saw as problematic we wish we had today -- dense buildings, crowded sidewalks, narrow streets, etc. Thanks for posting!
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